Why has the Cannon chosen to ignore the works of Natalie Barney & Renee Vivien, so that these talented writers now reside in obscurity, even though they were once the colleagues (and literary equals) of Pound, Joyce, Eliot, Apollinaire, etc. ?
Posted by kittygrrrl@aol.com
Which voice of Renee Vivien's are we hearing in San Giovanni? In Natalie Barney's Legion?
Posted by natalie@20ruejacob
When does the classical imagery present in Renee Vivien's and Hilda Doolittle's (H. D.) poetry cease to be a "veiling" device and begin to express the personal truths of their lives?